Currently based in Switzerland, Phileas Baun is pursuing his Masters Degree at the Music Academy Basel. Besides his experimental approaches to the instrument guitar, Phileas Baun is also an experienced and successful musician in a more classical sense. Besides being withholder of multiple scholarships such as the DAAD and the Studienstiftung des deutschen Volkes, he is the winner of many first prizes in international music competitions. As the first guitarist in history he was awarded with the main prize of the Iris-Marqurdt-Competition, the annual competition between all departments of the Musikhochschule Trossingen. As a soloist he has performed with multiple orchestras, including CD-Productions and a world premiere performance of a concerto dedicated to him.
Studies Schulmusik and Jazz/Pop at University of Music Trossingen with Andreas Grün for classical guitar and Roland Pfeiffer for Jazzguitar.
His musical experience spans from playing classical solo guitar and chamber music to performing in various pop/rock/jazz ensembles, from small acoustic duos/groups to playing in bigbands. He was an active member in OSG for 4 years and also focuses on contemporary music in educational contexts.
… is currently part of an international Master’s program dedicated to musical and interdisciplinary creation called CoPeCo. The progam consists of four half-year residencies in the conservatories of Tallinn, Stockholm, Lyon and Hamburg, in between performance, improvisation and composition. Right now he is preparing his Master’s project – a solo performance for prepared acoustic guitar and live-electronics to be premiered online in August 2020.
… is currently studying with Pablo Márquez at the Hochschule für Musik in Basel. While also playing and exploring the classical repertoire, he has a focus on contemporary music and lesser known works, performing as a soloist as well as with different ensembles and chamber music formations. In his programs he’s searching to draw a connection to relevant topics and questions of todays society, reflecting the role of a performer and its political dimension. He received scholarships from the DAAD and the Hirschmann-Stiftung.